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Allen’s Steak Festival 2012

16 Feb

I have always imagined John Maxwell, proprietor of Allen’s, as the most urban of men, a boulevardier very much at his ease in Manhattan, London’s West End or deepest Toronto. Perhaps he might occasionally be found in a wide-open space but only if it were the location of a rally of vintage Jaguar motor cars. How wrong I was. We can see from the photograph he kindly sent me that Mr. Maxwell is just as much at home in a cow pasture, especially when visiting his own herd of Dexter cattle. He acquired them last year, he tells me, and visits them, often, at their home on Wyatt Farm organics, Flamborough Centre, Ont. Dexters are one of Europe’s oldest domesticated breeds and they produce fabulously good steak, lean as venison when finished on grass and hay.

But don’t take my word for it. You can taste Dexter carpaccio, striploin, ribeye and bone-in rib from Maxwell’s own herd as part of the Steak Festival at Allen’s on the Danforth. It runs until February 25, so there is still time to indulge in the most fascinating forensic exploration of steak you will ever encounter. Maxwell assembles meat from animals personally chosen by himself from a number of different farms – many different breeds of cow, the creatures raised and then finished on many different feeds, the meat aged for many different lengths of time. Most are raised in Ontario but there is also an example of Angus from Prince Edward Island’s increasingly popular and delectable beef program, as well as bison from Quebec, USDA Prime Hereford from Nebraska and “Kobe” Wagyu-Angus from Alberta. Comparisons are encouraged.

Alongside this majestic menagerie is a dazzling wine list comprised of rare and old vintages of Ontario VQA wine. Here are bottlings you won’t find anywhere else – Reif’s Tesoro from 1995, the best vintage of the last century, Cave Spring’s superb 2005 La Penna, Hidden Bench’s 2007 La Brunante, Chateau des Charmes Equuleus going back to 2001, even a 2002 Zweigelt Reserve from Pelee Island Winery, a wine I have never tasted.

Anyone who claims to know about steak and wine has a moral obligation to participate in this amazing event. Allen’s is at 143 Danforth Avenue (as if you didn’t already know) and reservations are strongly recommended. 416 463 3086. www.allens.to/.

 

Canadian Culinary Championships 2012

13 Feb

Marc Lepine (centre) the new Canadian Culinary Champion with Rob Feenie (right) who won silver and Jean-Philippe St-Denis (left) who won bronze. image C Gardiner

Another year, another magnificent competition! Last weekend we gathered in Kelowna B.C. for the sixth Canadian Culinary Championships, bringing the winning chef from each of our nine Gold Medal Plates regional events to compete in three gruelling challenges. As ever, I was joined by the Senior Judges from our GMP cities who formed the judging panel, palates akimbo and glorious in their impartiality. I will name them first, proceeding from east to west: Karl Wells from St. John’s, Robert Beauchemin from Montreal, Anne DesBrisay from Ottawa, Sasha Chapman from Toronto, Jeff Gill from Winnipeg, CJ Katz from Saskatchewan, Mary Bailey from Edmonton, John Gilchrist from Calgary, Perry Bentley from Kelowna, Sid Cross from Vancouver and our culinary referee, Vancouver’s Andrew Morrison.

We began on Thursday night with a reception party at Quail’s Gate winery, gorging on B.C. oysters and chanterelle risotto, before the chefs and their sous chefs were introduced, together with the enthusiastic local students from Okanagan College’s culinary arts program who were to assist them. Olympic kayaking superstar Adam Van Koeverden represented the athletes who are GMP’s principal beneficiaries. Each chef was given a bottle of the mystery wine, unlabelled, anonymous, and given 24 hours to create a dish to perfectly match the wine. The catch – they had to cook the dish for 350 people and they had to do their shopping on a budget of only $500 – about a $1.47 a head. Economy is a valuable trait in a chef.

On Friday night they presented their dishes, each at his station in the lovely 1920s-style Hotel Eldorado. While the judges ate in a sequestered chamber, the guests moved upstairs and down, tasting and sipping the mystery wine, recording their own verdict for the ever popular People’s Choice award. It was a wonderful party, merrily exuberant, casual but intense, brought to a fine climax as the People’s Choice Award was handed to Chef Marc Lepine of Atelier in Ottawa.

The mystery wine had been chosen by GMP’s National Wine Advisor, David Lawrason – the multi-award winning 2008 Old Vines Riesling from Chateau des Charmes in Niagara. I believe we drank the last bottles in the world unless you are lucky enough to have one or two in your own cellar. It was a medium-bodied wine of racy acidity, exuding complex aromas of citrus, peach and petrol – uncompromisingly dry but rich, refreshing and delicious. We had speculated on what the chefs might make of it – how many would opt for seafood (expensive on their tiny budget); or whether others might choose to work with pork or fowl… As always, they amazed us with their creativity. Here is what they did…

Michael Dacquisto's delectable pate de campagne

Jean-Philippe St-Denis from Kitchen Gallerie Poisson in Montreal was clearly reminded of Alsace by the wine. He created a delectable choucroute of braised cabbage and bacon and set a slice of firm Pacific halibut on top of it, beside a tranche of juicy Ukrainian sausage he had found at a store in the city. A salad of shredded baby spinach added freshness while the sauce was beurre blanc that picked up the richness in the wine. The garnish of fried potato matchsticks and crunchy crumbled pretzel added an extra dimension.

Michael Dacquisto from WOW Hospitality Concepts in Winnipeg took a completely different approach, making a coarse pork paté de campagne studded with roasted hazelnuts to echo the aromas of honey and hazelnuts he found in the wine. He toasted a crunchy crostini of German caraway rye bread and crowned it with a slice of lightly grilled Asian pear and a wedge of brie that he brûléed with a blowtorch. A compote of gala apple, triple-smoked bacon and caramelized onion spiked with sherry vinegar, honey, black pepper and lots of fresh thyme was one condiment; another was a jam of apricots quickened with orange and lemon zest. Arugula leaves were lightly dressed with olive oil while a ribbon of pickled butternut squash also helped the richness of the paté. He even found time to make his own mustard, cooked down in the German style with beer, malt vinegar, caraway and honey. A lot going on? To be sure, but it all made perfect sense.

Michael Dekker's lovely dish

Michael Dekker from Rouge in Calgary presented a beautiful dish, making his own pasta and turning it into 1300 fabulous agnolotti filled with mascarpone and Quebec foie gras he managed to source from a local restaurant called Bouchon. A light sautée of corn kernels, golden raisins, kale and bacon and a scattering of chopped chives finished the dish. It was a good match with the Riesling, the flavours subtle but true.

Jan Trittenbach from Packrat Louie in Edmonton found fresh ling cod at Kelowna’s renowned Codfathers fishmonger. He pan-seared it lightly, leaving the perfectly seasoned fish juicy and medium rare. Beneath the paillard was a compressed salad of pear, apple and fennel and a very gentle picallili of beautifully turned carrot, zucchini and cauliflower florets with a delicate turmeric flavour. The lightest apple purée imaginable dressed the plate while a jaunty strip of crisp, very salty cooked prosciutto added a sudden moment of intensity to an elegantly understated dish that found all sorts of echoes in the wine.

Anthony McCarthy from the Saskatoon Club in Saskatoon worked with ivory spring salmon, a fish that has extra fat and really is the colour of ivory, a condition brought about by its diet. He confited the belly in a circulator leaving it incredibly succulent and set it over a gastrique of riesling and clementine that had all sorts of happy fun with the wine. Swiss chard was chopped with ginger while a smooth “verde” of parsley and Granny Smith apple added brightness to the dish. A spoonful of red tobiko caviare brought saltiness and crunch but the garnish almost stole the show – a crsip, ethereal taro root tuille dusted with chili and powdered, toasted kaffir lime leaf. If he sold those tuilles by the bag, the judges agreed, he could make a fortune.

Jonathan Gushue - courageous but controversial presentation

Jonathan Gushue from Langdon Hall Country House Hotel & Spa, representing Toronto, presented the evening’s most courageous dish, dividing the judges into those who found it inspired and others who did not. He took Nova Scotia squid and chopped it so finely it looked like grains of rice then presented it like risotto in a runny purée of parsnip and gala apple, tinted faintly pink by the natural colour in the squid’s tentacles. Chopped fresh celery hearts was one garnish, the other was a burnt onion crumble with an almost sugary caramelization that isolated an inherent residual sweetness in the wine. The avant-garde presentation left some guests scratching their heads but the dainty flavours worked well with the Riesling.

Mike Barsky from Bacalao in St. John’s gave us our pork – a cider-glazed pork jowl, to be precise, braised for three hours but still offering its sweet pale fat. Beside it was delectable roll of lightly pickled cabbage stuffed with braised lentil and smoked ham and the braising liquid became a streak of sauce on the plate. Two lightweight purées also featured – one of tangy spiced carrot, the other of Granny Smith apple. Over the top he scattered traditional Newfoundland scrunchions of pork fat brined with apple, thyme and spices and then deep-fried to an irresistible crunchiness. The moments of acidity in the dish were perfectly balanced with the tang of the wine – for me, the best wine match of the evening.

Rob Feenie of Cactus Club Café in Vancouver found apple and lemon in the wine and set about echoing them in a Riesling jus enriched with apple, lemon and a roast chicken stock reduced for four hours. He made extraordinarily soft little gnocchi from butternut squash and paired them with local bacon and a brussels sprout petal sautéed in bacon fat to add visceral weight to the dish, an effect amplified by a crumble of bacon and pumpkin seed. Chef Feenie added the finishing touch at our table – a rich foam of cream, honey and parmesan cheese.

Marc Le[pine's langoustines wrapped in avocado

Marc Lepine from Atelier in Ottawa chose to work with langoustines, chopping them up and shrouding them in tissue-thin slices of avocado. There were many other elements on the plate and to read them gives the impression of crowding, but each new discovery drew admiring sighs from the judges. Here was puffed wild rice seasoned with fennel and coriander seed. Beside it lay two small pieces of fennel seed sponge cake aerated in a syphon and cooked for 40 seconds in a microwave for a soft, spongey texture. Tiny, pea-sized balls of Granny Smith apple were spiked by a chili marinade while celery was compressed with salt and sugar until it was almost a jelly. A parsnip crisp added sweet crunch, while orange zest and powdered ash made by charring lemon rind found the citrus notes in the wine. It was a brave but ultimately brilliantly harmonized creation.

Retiring to debate their evening’s work, the judges were unanimous in awarding Marc Lepine top marks, followed by Rob Feenie and then, close behind, a posse of four other chefs, with Mike Barsky about an inch in front of anyone else. But the weekend had only begun.

 

Saturday morning, mild, still and foggy, found the chefs, each with a chosen sous chef, standing outside the hotel while the judges milled around close by, all ready to head off to the venue for the Black Box competition in the teaching kitchens of Okanagan College. This is the most intense and rigorous challenge of the entire competition with the chefs sealed in a distant room to be brought out one at a time. They don’t know the order in which they will be called and it’s only when they make their way through the crowd in the kitchen and open their box that they fully understand the task that lies ahead. They must create two dishes using the mystery ingredients in one or other, plating 12 identical portions of both for the judges, and if they run over the allotted hour by even a few seconds they will be penalized. They also have access to a generous communal pantry.

A crowd of several hundred guests was expected (the event is always the first to sell out) and the good people from Van Houtte coffee were there with a kiosk offering six different brews and a chance for anyone who wished to discover his or her personal coffee profile by taking a simple but revealing test. The Van Houtte profile combines one’s taste for the intensity and darkness of the roast with the more subtle characteristics of terroir – fruitiness, acidity, earthiness, spiciness, etcetera – a reflection of the provenance of the beans. Me? I’m Bold & Woodsy.

Once the chefs were hidden away the judges revealed the ingredients to the expectant crowd. Last year, we had drawn everything from British Columbia; this year we invited six judges to provide a list of items from their own regions and put together the fiendish inventory from those. From Newfoundland we selected jars of bakeapples (also known as cloudberries), tart, subtly flavoured berries about the size of a raspberry with a nuisance of pips inside. From Mariposa Farm outside Ottawa, we chose goose breasts – two for each chef – with a fine layer of fat between skin and flesh. From Montreal, we brought a wonderful, firm blue cheese called Le Rassembleu. Manitoba’s contribution was a one-pound bag of Shoal Lake Oh Canada wild rice (something that would require a deal of cooking!). From Saskatchewan came some splendid Lake Diefenbaker steelhead trout and from Calgary, two pounds of parsley roots that looked (but didn’t taste) like parsnips. The point of course was to find harmony between such curiously matched ingredients.

Mike Barsky (St. John’s) began the proceedings. He cut fillets from the trout and seared them briefly then set them over splendidly velvetty purée of parsley root. He made a sauce of the blue cheese, thyme, lemon, cream and white wine which gave the lie to the old adage that cheese and fish are a poor match. His presentation was just as impressive for the goose – seared briefly, fat-side-down but leaving the ruby-coloured flesh still rare and bloody. He boiled the wild rice but not enough to bring it to an al dente level and mixed it up with wilted spinach and minced shallots. Recognizing the bakeapples (of course) he turned them into a chutney with wine, herbs and shallots and used it to dress the goose.

Pan-seared goose breast became the leitmotif of the morning. Every chef did it that way and the judges wondered if their approach would have been so conventional if we had put a steak into the box.

Marc Lepine (Ottawa) emerged next. Would he crash and burn after his triumph of the previous evening? Far from it. He crisped the goose skin and sliced it relatively thinly which mitigated its chewiness without diminishing its robust flavour. Charred, lightly pickled rings of onion provided an acidity that cut the goose fat while the meat was raised up on a short pillar of potato confited in olive oil with rosemary until it was soft and tempting. He used the blue cheese in a mayo beside the meat and solved the wild rice’s textural issue by puffing it in hot oil for a moment, finishing the dish with a natural jus from the goose. His trout dish was equally impressive. The fish fillets were pan-fried in butter until the skin was crisp and set over herbed spätzle. There was a smooth coulis of the bakeapples that eliminated the crunchy seeds from the berries and let the tangy flavour shine forth. Crisp ribbons of parsely root crowned the fish and Lepine even found time to make his own ricotta as an extra moment of dairy on the plate. A luxe brown butter hollandaise was poured on at the table. Both dishes showed a marvellous sense of harmony.

Rob Feenie's jewel-like trout

Rob Feenie (Vancouver) was the third competitor. His treatment of the trout was a star turn – curing it in citrus juices for twenty minutes then softening it in warm olive oil until it glowed like coral and was as soft and smooth as satin. Feenie also puffed his rice and made a bakeapple sauce – another visually stunning presentation. His seared goose breast was cut even more thinly, its richness equalled – even surpassed – by a purée of parsley root and blue cheese. A second, spinach purée brought refreshment and the meat was strewn with deep-fried shallots and panko crumbs fried in butter and lemon thyme.

Michael Dacquisto (Winnipeg) came out next. His trout was pan-seared to firmness and garnished with wilted, garlic-spiked spinach, then set over chewy wild rice. A salsa of tomato, chopped basil and cilantro livened things up and the dish was finished with a sharp gastrique of white wine, vinegar and butter. The ruby-red goose breast was pan-seared and full of flavour and matched with a chunky parsley and blue cheese sauce and soft chips of fried parsley root. Shavings of the blue cheese provided saltiness to season the meat while a second sauce, a fruit vinaigrette, was a deft final touch.

Jean-Philippe St-Denis (Montreal) salted his trout with fresh herbs then confited it in olive oil until it was meltingly tender. The wild rice (again undercooked) was tossed with baby spinach leaves and freshened with chopped tomato robustly flavoured with shallots and herbs. A sauce of pure egg yolk rimmed the plate. J-P’s goose breast saw the oven before being sliced over a delicious mix of coarsely broken boiled potato and plenty of the blue cheese, sliced thinly and on the point of melting which brought out its magnificent flavour perfectly. A very crisp, panko-crusted onion ring crowned the goose while a bakeapple gastrique fulfilled the need to use them.

Anthony McCarthy's brilliant "fish breakfast"

Anthony McCarthy (Saskatoon) delighted the judges with his take on a “fish breakfast.” His trout was pan-fried and set next to a perfectly poached egg and a tomato-and-onion salad. The wild rice was cleverly involved in a thick potato pancake smothered in melted cheese. Also on the plate was a cup of a thick, chilled pale orange liquid – he had used the bakeapples to make a smoothie – a huge success with the judges. For once, the goose found a new role to play, with two slices of the breast decorating a bowl of the chicken broth from the pantry, subtly enhanced with lemon zest and chopped herbs. Also bathing in the clear golden liquid were two tortellini filled with parsley root and ricotta.

Jonathan Gushue (Toronto) is a Newfoundlander, so he recognized the bakeapples immediately. He used the juice of the berries to make a gastrique with vinegar and sugar, then, having salted the filleted trout, he cured the fish in the liquid. “How long for?” asked the judges. “Forty-one minutes,” he answered. The fish was cut into big, glistening chunks and served with parsley root chips, decorated with a sprig of basil. Gushue’s goose was marinated in garlic and thyme then pan-seared to the point of bloody rareness and served over a toothsome wild rice risotto. He made two sauces, both of them awesome – a basil purée as green as an emerald and another involving the delectable Rassembleu.

Michael Dekker (Calgary) poached his trout by laying the fillets in cold olive oil then gently bringing up the heat until the fat in the fish seized into tiny white dots. A citrus beurre blanc added further richness, balanced by a tangy salad of onion and tomato. A comma of intensely flavourful parsley root purée perched cheekily on the trout’s back, wearing a green crown of basil leaves. Seared and thickly sliced, the goose breast was served atop wild rice stirred up with spinach and shallots. A dab of the unadulterated blue cheese allowed meat and dairy to fight it out while the bakeapples were transformed into a tasty compote with sugar, salt and white wine. All the flavours in Dekker’s dishes were clear and true, integration taking place in one’s mouth rather than on the plate.

Jan Trittenbach's goose dish

Jan Trittenbach (Edmonton) was our final competitor. He presented a “modern fish and chips” with a trout tartare seasoned with garlic, onion, herbs and soy set on top of a superb brick of fondant potato fried in butter with rosemary. In lieu of tartare sauce, he made a hollandaise with fresh herbs and pickled shallots. His goose breast was ruby-red, filled with a stuffing of shallots and egg but the show was stolen by an unabashedly pungent garlic purèe beneath the meat. A stiff custard moulded into the shape of a maple leaf was another element, topped with a hearty slice of the remarkable cheese (we never tired of its marvellous flavour). He turned the bakeapples into a yummy pickle as a condiment for the goose. But where was the wild rice? Summoned back by the judges, Trittenbach explained that he had not used it. Ten valuable points were lost…

The judges agreed it had been a challenging box and that next time we would avoid wild rice and offer a more accessible meat than goose breast – if only for the sakes of our own constitutions. The one ingredient I still hadn’t had enough of was the Rassembleu cheese – Canada’s first blue and still the best. Damn, it’s good.

 

It was party frocks for the Grand Finale, held in the majestic salons of the Delta Grand hotel. Our judging table was set apart in the Celebration Ballroom so we had peace and quiet and optimum conditions for tasting.

Michael Dacquisto, Winnipeg

We began with Winnipeg champion Michael Dacquisto’s dish, a “Freshwater Trio” of Manitoba pickerel, pike and whitefish. It’s rare to find a chef going nose-to-tail with fish but that’s what we were presented with. In the centre of the plate were two pickerel pectoral fins, battered and deep fried. “Hold the actual fin and suck the flesh from the cartilege,” suggested the chef, so we did and it was delicious – soft, rich and delicately flavoured. Beside the fins were pretty slices of applewood-smoked pike mousse wrapped in pickerel fillets and then tender green leek – so pretty! Beneath it was a tangle of crispy shaved fennel tossed with whitefish caviar. Close by were two beautiful pickerel cheeks dusted with powdered toasted wild rice and to the right of the plate a stripe of purple beet purée topped with beads of beet gelee and “caviar” made from the wine Chef dacquisto chose as his accompaniment, the sparkling Odyssey Rosè Brut from grey monk Estate Winery in B.C. Overall it was, a lovely, delicately flavoured dish, full of different textures.

Michael Dekker, Calgary

Calgary`s Michael Dekker was next up, offering a dish with a Southern theme. He chose to work with Louisiana catfish, marinating the fillets in buttermilk to mute their flavour a little then blackening them with a perfectly judged mix of sweet and smoked paprika, garlic and thyme. There was a delicious spicy tingle to the meaty fish that he topped with a garland of tiny microgreens – celery, cilantro and watercress. Propping up the fish was a spherical cheddar biscuit like a glossy little scone with the texture of brioche. Around it were impeccable grits, smooth but not too heavy, their richness complementing the fish. Chef`s chosen wine was the crisp, racy 2010 Charles Baker Riesling from Niagara. It cut through the richness of the dish like a blade of yellow light, its acidity dancing with the spiciness of the blackened fish. Another really fine dish.

Jonathan Gushue, Toronto

Jonathan Gushue from Langdon hall, representing Toronto was our third competitor, escorting the food runners to our table and providing a small brochure and recipe card explaining his dish. At its heart was a mound of diced raw Digby scallops stirred with mascarpone, lime juice and fleur de sel, a sweet, sticky confection. Laying across the top was a single leaf of Paris Dusk kale from Langdon Hall`s garden, sautèed in butter for 30 seconds then drizzled with a gastrique made from Langdon Hall honey, cider vinegar and containing crumbled black walnuts. A vanilla and apple purèe added further sweetness and then the dish was finished with a scattering of yellow oxeye daisy petals and a grating of a sort of landlocked bottarga made from confited duck gizzards to add an intense little dust to the whole adventure. The wine pairing was a beauty – Organized Crime 2008 Riesling Reserve from Niagara, a clean, crisp Riesling with zesty lemon and ruby grapefruit on the nose and a hint of musk as it starts to age.

Marc Lepine, Ottawa-Gatineau

Marc Lepine from Atelier in Ottawa delighted the judges with his dish. Lying like a lid across the top of the bowl was a crisp celery-root parchment upon which was sprinkled a white powder (dehydrated bacon powder) and some jewel-like pike roe. Beneath this cap we found two pank-crusted chorizo meatballs and a perfect Quadra Island scallop lightly bronzed from the pan. Sharing the intimate space at the bottom of the bowl were some pickled chanterelles, flecks of dehydrated fennel, bacon, lovage and lemon balm, and dainty motes of celery that had been compressed with sambucca. An aerated purée of potato and truffle worked like a creamy sauce, ably seconded by a lemon thyme cream. For his final effect, chef Lepine took an atomiser filled with lemon-rind-infused sambucca and gave each bowl a little squirt. Serving the dish in a bowl was a deliberate act on lepine’s part. He wanted us to taste all the elements together and randomly rather than separating and analysing them on a plate. It worked: flavours swirled, levels of intensity and textural experiences jumped all over the place while the wine acted as a delicious anchor – Hidden Bench 2009 Estate Chardonnay from Niagara.

Jean-Philippe St-Denis

Next up was Jean-Philippe St-Denis from Kitchen Galerie Poisson in Montreal with the same famous dish he used to win the regional event. It was a vitello tonnato – which I love, of course, but which might not have been enough to win a GMP gala in its own right. “Wait til you see it,” advised Montreal judge Robert Beauchemin – for of course I hadn’t yet seen it, having missed the Montreal event because I had to be at the Winnipeg event on the same night! Anyway… It was worth the wait. J-P had turned the dish on its head, laying thinly sliced albacore tuna carpaccio onto the plate then smothering it in a variety of different ingredients – little slices of super-tender veal tongue sharpened by a mustard-tarragon vinaigrette. Motes of crispy parmesan. Tiny dice of pain brioché. Crunchy fried capers like sudden shots of salt. Shiny black balsamic jelly cut into cubes that were starting to melt under the lights. Dots of preserved lemon skin. A shaving of bottarga on top like Gentleman’s relish turned to powder. Raking my fork through it all I picked up different flavours and textures with every mouthful and the accompanying beer  – St-Ambroise Cream Ale from the McAuslan brewery in Quebec was probably the match of the evening. It looked like a chaos but ate like a dream and the judges absolutely loved it, propelling J-P St-Denis forward and out from the middle of the pack. The dish won the evening but would it be enough to catch the front-runners?

Mike Barsky, St. John's

Mike Barsky from Bacalao in St. John’s provided our first red wine. His dish was also a repeat of the creation that had proved a GMP winner, thrilling me and the other St. John’s judges, but tonight the presentation wasn’t as spot-on and the textures seemed to lack immediacy. Barsky had exercised his powers on Newfoundland goat, using all parts of the unfortunate animals. We had a rare but delectably tender seared loin, a drum of goat rillettes in crispy panko crumbs, a slice of pickled tongue, a puddle of thick, creamy, glossy goat-brain mousse, a smashing spherical turnip cooked sous vide with saffron and mustard, a stripe of saffron-dyed goat milk pudding, one or two Brussels sprouts petals, a demi-glace made with pinot Noir and partridgeberry and a scattering of mustard seedlings. The accompanying wine, Pelee Island 2010 Pinot Noir Reserve, from Pelee Island, Ontario, did its best to keep up with the range of textures, temperatures and tastes on the plate.

Rob Feenie, Vancouver

Rob Feenie from Cactus Club, representing Vancouver, also chose to work with a Pinot Noir – the 2010 from Haywire Winery in British Columbia. It was a fine choice for his dish, a variation of the creation that had won him the Vancouver competition last fall. First came a slender shot glass filled with clear barbecued duck broth in which flecks of black truffle were floating. We downed that first to clear our palates and set them up for the main event. The plate was beautifully put together. At its heart was a slice of a layered terrine of moist, tender, pink rabbit meat and bacon that had been pressed together with duck fat for 24 hours. On top, like an ivory-coloured torpedo, sat a whole, miniature boudin blanc, speckled with chopped black truffle. Soft as a mousse inside, it was made from more of the rabbit meat and foie gras. A thick slice of truffle was propped against it and there was yet more truffle in the jus that painted the plate. And then there were carrots – some turned into a silky purée and whipped with brown butter; some transformed into caviare beads; others completely morphed into a crisp and delicate wafer. “I found a hint of carrot in the wine,” explained Chef Feenie – and such is the power of suggestion that I did too.

Anthony McCarthy, Saskatchewan

Anthony McCarthy from The Saskatoon Club in Saskatoon decided to work with duck, placing slices of Brome Lake duck breast on a vinous demi-glace that worked very well with the wine. To the left lay a drum-shaped pavé of layered vegetables crowned with pancetta scratchings. A bright orange-coloured swipe of sea buckthorn berry purée offered fruitiness to the bird; as did a pool of Carmen Jewel sour cherry sauce. A salad of crisp julienned peppers and other vegetables hid under a latticed crisp of two-year-old goat cheese, waiting to jump out and revive a flagging palate. As a treat, Chef also gave us a moment of aerated foie gras with black truffle, textured like a stiff mousse and posed prettily in the cherry sauce. It was a beautifully composed dish and one of the best wine matches of the evening, reaching out to Nichol Vineyard’s 2007 Cabernet Franc-Syrah from British Columbia as if they were old school friends.

Jan Trittenbach, Edmonton

Our final dish came from Jan Trittenbach of Packrat Louie in Edmonton, whose family had flown in from Switzerland to watch him compete. He presented us with a slice of gorgeous, lean venison, the colour of red wine, which had been rolled around a centre of pulled beef chuck, the meat cooked sous vide and admirably moist and rich. “This is the best meat of the entire weekend,” said one of the judges, and no one argued with him. A crumbly, lightweight canoli was stuffed with creamy, mild-flavoured goat cheese while a pink beet purée added colour and a sweet earthiness to the spectrum of flavours. A wee watercress salad dressed with truffle vinaigrette refreshed the palate and balls of pickled butternut squash in a blackberry gastrique offered a different but equally tasty element. Chef had grated horseradish but politely left it on the side of the plate so we could add as much or as little as we wished. His wine proved a great match for the venison – the 2009 Peller Estates Private Reserve Syrah from Niagara.

Back in the judges’ lair we began our deliberations and calculated the marks. None of us was surprised to see that Marc Lepine was the clear champion, or that Rob Feenie had won the silver medal. Both had set the pace since the beginning of the weekend and had made no mistakes tonight. From the tight group of chefs in pursuit, Jean-Philippe St-Denis had used the Grand Finale to break away from the pack to take the bronze with his amazing deconstructed vitello tonnato.

And then it only remained to return to the party, to marvel at the bidding for the trips to Tuscany, Chile, California and other exotic locales, to cheer Ed Robertson and Barney Bentall as they sang for us all, to listen to Adam van Koeverden’s inspiring stories (and hilarious jokes) and then to hand out the medals and trophies to the victorious chefs. Marc Lepine’s fellow chefs in Ottawa had got together in an extraordinary show of support and cooked at Atelier each night he was away in Kelowna. Otherwise the restaurant would have had to close at one of the busiest times of the year. I have no doubt they will be as excited as anyone in the country to welcome the champion home.

Weird but true: 5 out of 6 Canadian Culinary Champions have a first name that begins with the letter M: Makoto, Melissa, Mathieu, Martin, Marc… Hayato Okamitsu (2008) is the only exception.

photocredit: Brian Chambers for all the beauty shots of the plates

And now a special report on the wines of the CCC by Gold Medal Plates National Wine Advisor, David Lawrason:

The 2011 Canadian Culinary Championships convened in Kelowna – the heart of B.C. wine country – on a mild and foggy weekend in Feb 2012.  In the span of three public events, and four invitational events for judges, chefs and invited guests, almost 60 wines were poured, and it was a tour de force, especially for the wines of the Similkameen Valley.  The Similkameen Wineries Association – eight wineries strong – hosted the Grand Finale Event at the Delta Grand Hotel on February 11.

This year, for the first time, a Best of Show Wine Competition was incorporated into the Canadian Culinary Championships  – a judging of the wines in their own right, without taking the chef’s pairings into account. (The matter of judging the pairings is the mandate of the food judges, and weighs heavily in their decision). 

This year I invited two prominent western Canada wine professionals to join me on a panel.  Rhys Pender is one of three Canadian Masters of Wine, residing in the Similkameen Valley of B.C. where he conducts his business as a wine educator, writer and Canadian wine judge.   Gurvinder Bhatia of Edmonton is wine writer for the Edmonton Journal and owner of Vinomania, one of the finest specialty wine shops in the country.

Judging over two days, the panel selected Orofino 2009 Syrah from the Similkameen Valley as the Best Wine of Show.  It was the first syrah produced by John Weber at Orofino, and the tiny production of 90 cases sold out quickly.  The runner up hailed from Ontario, the Hidden Bench 2009 Chardonnay from Niagara’s Beamsville Bench, which had been brought to Kelowna to pair with the dish by Ottawa’s Marc Lepine. The second runner-up was Sandhill 2009 Cabernet-Merlot from the Vanessa Vineyard, also from Similkameen.

Before moving onto the series of events, a special note of recognition and thanks to Harry McWatters who was a critical link to the local wine community as part of the Kelowna organising committee.  He also very kindly donated several cases of his new McWatters Collection wines that debuted at the Mystery Wine competition.  Both the McWatters Collection 2010 Chardonnay and 2007 Meritage are classics of their genre with all kinds of structure and complexity.  

I also want to thank and acknowledge Catherine Frechette of Kelowna Tourism who set up an afternoon wine judges trip on the Lake Country Scenic Sip Trail, visiting the refurbished Gray Monk, and the spiffy new Ex Nihilo.  I was not with the chefs at Tantalus Winery for their tasty retreat on February 8 but I hear the Tantalus wines showed beautifully.

The first official Gold Medal Plates event of the (very long) weekend was billed as The Last Supper. It took place at a private residence at the Big White Ski Resort on February  8 as a wrap up event for successful bidders from across Canada  for the Big White/CCC auction ski package enjoyed a fabulous four course dinner prepared by 2010 CCC champion chef Martin Juneau of Montreal.  Four B.C. wineries stepped up to donate their finest to this event, led by the terrific Tantalus 2010 Riesling.  Many thanks to Tantalus owner Eric Savics, who joined us on the mountain.  Other wines included the well-known Sumac Ridge Steller’s Jay sparkling, the vibrant Black Hill’s 2010 Viognier and the layered, very fine Painted Rock 2008 Syrah expertly matched to chef Juneau’s main course bison creation.  The wine had actually been shipped to Montreal by Painted Rock owner John Skinner so that Juneau could consider the match in his preparations – a great demonstration of the kind of detail carried on behind the scenes.

The Chef and Judges Reception took place February 9 at Quails’ Gate winery where a pair of wines were poured at two food stations.  The racy and quenching Quails’ Gate 2010 Chenin Blanc was served with a selection of Pacific oysters, while the fragrant, fresh Quails’ Gate 2009 Pinot Noir was matched with a very good risotto.  During this event the chefs were presented with an unmarked bottle of the Mystery Wine to which they would have to create a matching dish – for 380 people – 24 hours later. On a budget of $500!

The Mystery Wine Pairing returned to the cosy confines of the lakeside El Dorado Hotel on June 10.  Guests were greeted with Trius Brut sparkling wine, a much awarded crisp and dry sparkler made by Andrew Peller’s Hillebrand winery in Niagara.  After being introduced to the concept and flow of the evening the chef stations opened and the very professional and attentive El Dorado staff began passing the glasses.  The crowd was quick to pounce on riesling as the grape involved, with local sentiment saying it was the Tantalus Riesling.  But not so!  It was the Chateau des Charmes 2008 Old Vine Riesling from the Niagara-on-the-Lake appellation in Ontario, a beautiful, maturing, complex riesling that was named White Wine of the Year at the 2011 Ontario Wine Awards.  Our deepest thanks to the Bosc Family of Chateau des Charmes for donating the last available cases of this great Niagara riesling.

The final day of events on February 11 was a wine lover’s dream. It began for the wine judges and invited guests at a private tasting by the Similkameen wineries, many of which brought out older vintages to show how the reds in particular developed.  With only an hour to spare the winemakers then had to ready for the VIP Reception, where each poured two wines.  Many thanks to Cerelia Vineyards, Clos du Soleil, Eau Vivre, Forbidden Fruit, Orfino, Robin Ridge and Rustic Roots for making the trip to Kelowna and putting on a fascinating show for our guests, many of whom had to be prodded out of the VIP Reception to enjoy the main event.

In the Grand Finale the chefs brought the same wine, or at very least a wine from the same winery, that helped them win gold in their respective cities.  These are listed elsewhere on the Gold Medal Plates website. The wines, plus one beer from Montreal, were equally divided among the east and west, and ranged across several styles, and the medalists spanned three provinces.  The bronze medal went to McCauslan Brewery’s rich and exotic St.Ambroise Cream Ale paired with chef the always offbeat and fun-loving J.P. St Denis of Montreal.  The silver medal went to the taut and juicy Haywire 2010 Pinot Noir from the Okanagan, paired with Rob Feenie of the Cactus Club in Vancouver. And the Gold Medal went to the stately, complex and well structured Hidden Bench 2009 Chardonnay from the Beamsville Bench in Niagara, paired brilliantly with the creation of gold medal Chef Marc Lepine from Atelier in Ottawa.

But the fun did not end there!  Several new Celebration Wines appeared on the tables as guests sat down to listen to athlete presentations, await the awards and enjoy great performances by Ed Robertson of Bare Naked Ladies and B.C.’s own Barney Bentall.  The Similkameen Wineries added new wines to the festivities, and they were joined by a brilliant Township 7 2009 Syrah, Black Hills 2010 Alibi and 2010 Viognier, and the Sandhill 2008 Cabernet-Merlot, the aforementioned third place finisher in the Wine Competition.

So that’s a wrap, but in ending this report I must add a personal note of satisfaction, and thanks to all involved, for the wonderful recognition and acceptance that Canadian wine is receiving through the Gold Medal Plates program.  Gold Medal Plates is the country’s largest showcase for Canadian wine, and it’s getting bigger and better every year.

Cheers
David Lawrason
National Wine Advisor

 

 

 

Bottega Farm Inn

09 Feb

To Kelowna, B.C., for the Canadian Culinary Championships, a much-anticipated weekend that begins with a judges’ retreat that allows the judiciary to recover from a day of travel, to calibrate our palates and catch up with old friends. This year, Catherine Frechette of Tourism Kelowna organized a most generous night for us in a beautiful new property called Bottega Farm Inn, at the foot of the mountains to the south-east of the city. It was dark when I finally arrived and a light snow was falling but the inn looked most welcoming and merry. This was once a cattle farm but last year the owners completed a stunning modern building with ten luxurious rooms and a soaring dining room – a true relais du silence offering perfect peace and quiet. They also built a recording studio that is nearly finished and brought in a charming herd of alpacas to amuse the guests, though we had other diversions last night. Representatives from Tantalus and Cedar Creek wineries were pouring some delectable wines alongside elaborate displays from several local operations including Arlo’s Honey Farm, Okanagan Lavender Herb Farm and vegetable specialists Sunshine Farm.

It was a very happy reunion for the judges. Our panel consists of the senior judge from every city where Gold Medal Plates holds an event – expert palates all. Let me name them from east to west. From St. John’s, Newfoundland, KARL WELLS is a broadcaster, food columnist for the Telegram and host of his own tv show, One Chef One Critic. From Montreal, ROBERT BEAUCHEMIN is a culinary author who writes for La Presse as well as being an anthropologist and a university professor. From Ottawa, ANNE DESBRISAY has been the restaurant critic of The Ottawa Citizen for 20 years and is also an author and broadcaster. From Toronto, SASHA CHAPMAN is an award-winning food columnist and food writer, currently an editor with The Walrus magazine. From Winnipeg, JEFF GILL is a professional chef and culinary arts instructor at Red River College. From Saskatchewan, CJ KATZ is an author, tv and radio host and publisher of Savour Life magazine. From Calgary, JOHN GILCHRIST is a teacher and author, broadcaster and restaurant columnist for The Calgary Herald. From Vancouver, SID CROSS is the wine and food guru for Western Living magazine and is a world-renowned wine and food judge. And also from Vancouver, ANDREW MORRISON is a writer, a teacher, a restaurant critic and the editor of Scout Magazine. He also serves as our culinary referee during the CCC, making sure the competing chefs obey our complicated rules to the letter. Our Kelowna judge is PERRY BENTLEY, Instructor in Baking and Pastry Arts at Okanagan College. The only judge not present last night was Edmonton’s MARY BAILEY, the wine, food and travel writer, certified sommelier and wine instructor and the founder of Edmonton’s Slow Food convivium. She couldn’t get away last night and will join us on Thursday.

Need it be said, dinner had been prepared for us all, provided by a terrific local chef, Mark Filatow, whose restaurant Waterfront is currently undergoing a serious renovation, reopening in a month or two. I’ve eaten his food before and admire his work but last night he outdid himself. Dishes were served family style with passed platters – everyone helping themselves – and the menu was designed as a showcase of local produce. We began with salads of white and pink beets from Sunshine Farm in a creamy horseradish dressing, and cold grilled sardine fillets sharpened with Eldorado Farms tarragon vinegar and laid out over a slaw of cucumber, crème fraîche and preserved lemon. We moved on to perfectly cooked little slabs of soy-braised belly pork, the delicate crackling immaculately crisp, paired with pickled cabbage and yam noodles. The wines were very well chosen, including a racy Tantalus Riesling and Cedar Creek’s lush Platinum Chardonnay.

Next came some ravioli that oozed runny egg yolk when we cut into them (that’s a neat trick of timing from Chef Filatow!) garnished with pancetta and soft broccolini florets. And after that we were blessed with Thiessen Farms quail, just the breasts, still pink and tender and fire-roasted, and the boned legs, cooked sous vide and as soft as the turned squash and pea-sized dates that accompanied them. Filatow emerged from the kitchen to pour on a rich jus from a tiny jug then sent out an extra dish of Pemberton farms beef tenderloin, aged 40 days, each slice showing the gradation of doneness from a crisp exterior to a ruby heart. The beef had its own red vermouth jus and a splendid array of Sunshine Farm’s heritage carrots, salt-baked cipolini onions and little sieglinde potatoes, baked and hollowed out then filled with their own mashed insides – they looked like tiny cupcakes. Tantalus’s 2010 Pinot Noir was sublime with the quail; Cedar Creek’s 2007 Merlot was ideal with the beef.

Our cheese course consisted of toast made from red fife and grape bread topped with a wee sphere of soft Happy Days goat cheese dressed with a marvelous honey from Arlo’s. Last year, Arlo’s owner, Helen Kennedy, explained, they had noticed that the honey from eight of their 106 hives was particularly pale and pure. The bees had been foraging on elder blossom and, indeed, there was more than a hint of elder amidst the wildflower aromas of the honey.

So the evening progressed. We sipped an amazing wine from Cedar Creek with our dessert – called M, it’s a maderized Pinot Blanc, lightly fortified then put into small casks and left outside in the hot Okanagan sunshine for five summers. The only Madeira-style wine produced in the Okanagan, it’s a totally delicious amber nectar, the complex flavours and sweetness lifted by a sly acidity.

At the far end of the inn’s great hall stands a Steinway grand piano. There are several fine musicians amongst the corps of judges but it was Catherine Frechette who was persuaded to play, from memory, Chopin’s Ballade number one – to thunderous and well-deserved applause.

Tonight the serious work begins.

 

Winners of the 2011 Winetasting Challenge!

31 Jan

The news is out. The winners of the 2011 Winetasting Challenge have been announced.

The Challenge was created in 2004 as part of The Renaissance Project, brainchild of Felice Sabatino of Via Allegro Ristorante, to celebrate and encourage excellence in our wine service industry. It was a huge success and, as the competition grew, Brock University’s Cool Climate Oenology and Viticulture Institute was appointed as the organizing, presenting and auditing body in 2005. It is now the most unique and largest wine tasting competition in the world, with the largest prize purse of its kind in the world – upwards of $100,000 including cash, trips, Spiegelau stemware and scholarships.

In the Challenge’s early days, Toronto Life was a media sponsor, an association that has since been dissolved but which made me proud when I was still involved with the magazine. I particularly liked the fact that the competition was open to anyone, professional and amateur, and that no entry fee was required. That is still the case. The event is operated by volunteers and all awards and competition expenses (venue, food, wines, etc.) are provided courtesy of the sponsors. In a healthy spirit of competition, neither The Renaissance Project nor CCOVI keeps or publishes any individual scores. Only the names of the winners and runner-ups for each of the categories are announced.

            It’s a very tough competition – as it should be with so much at stake. All the wines and spirits are presented ‘double blind’ (purchased and at the competition, pre-poured out of sight by “bonded” representatives from CCOVI at Brock University) the “challenge” is to correctly identify the grape varietal, country, region of origin and vintage from a diverse range of world wines. The professionals try to identify seven wines while the amateurs attempt to identify three wines. There are two supplementary rounds where (1) three VQA wines are presented double blind and (2) three spirits are presented double blind.

            You can find out much more and see a list of the noble sponsors who make all this possible at the Challenge’s website, http://winetastingchallenge.com/.

Peter Boyd has something to sing about tonight

            And so to business:

1st Prize, professional: Peter Boyd, Sommelier at Scaramouche and an Instructor with the International Sommelier Guild, songwriter and preternaturally gifted blues musician.

2nd Prize, professional: Jonathan Salem-Wiseman, Professor at the Humber School of Liberal Arts and Sciences, winner of 1st Prize, amateur in 2010.

3rd Prize, professional: Eugene Mlynczyk, Key Account Manager, Sales at Vincor Canada.

1st Prize, amateur: Anthea deSouza

2nd Prize, amateur: Jordan Mills

3rd Prize, amateur: Monika Janek

Spirit Champion: Mark Coster, familiar to all as a contributing writer at Good Food Revolution.

CCOVI VQA Challenge Champion: Peter Bodnar Rod, Director of sales and marketing at 13th Street Winery and the Director Online education, Wine Industry Liaison at the International Sommelier Guild. He was also the first Grand Award winner of the Challenge, back in 2004.

            Huge congratulations to them all!

 

OHI awards announced

24 Jan

  

 

There you go… That’s the mandate of the Ontario Hostelry Institute, an organisation that does a great deal of good for anyone who likes to eat out in this province – or stay in a hotel, or shop for local, artisanal products, or read about food and wine. The OHI provides scholarships and bursaries to talented young people who might not otherwise be able to afford professional training, and we all benefit from that. The OHI does this, in part, through its gala – a most convivial black tie party held every spring at the Four Seasons that is also an opportunity to celebrate the careers of industry leaders by giving out gold awards.

Last week, past honorees gathered just after dawn to discuss who should be honoured in 2012. The meeting was convened (and governed with his usual mixture of tact and firmness) by the OHI’s chair and president, Charles Grieco. He has generously allowed me to share the news of the winners in each category.

Chef: Stephen Treadwell, Stephen Treadwell Farm-to-Table Cuisine
Hotelier: Anthony (Tony) Cohen, Global Edge Investments

Independent Restaurateur: Frédéric Geisweiller, Le Sélect Bistro

Educator, Dr. Julia Christensen Hughes, Dean, College of Management & Economics, University of Guelph

Media/Publishing, Jody Dunn, Editor and Marketing Manager of Food & Drink magazine

Foodservice Chain Operator: Cora Tsouflidis, CORA

Supplier: Stephen J. Shamie, Hicks Morley

Artisanal supplier: Stephanie Purdy, Purdy’s Fisheries Limited

A star-studded list of people. And that’s not all. Mr. Grieco will also be presenting the Chairman’s OHI Gold Award to Anita Stewart M.C., LL.D.and the Chairman’s Lifetime Achievement Gold Award to Dean John Walker MBA of George Brown College. The following people have been newlt elected as Fellows of the Ontario Hostelry Institute: Jamie Drummond – Good Food Revolution; Jeff Stewart MBA – Centre for Food and Wine – Niagara College; Melanie Coates – Fairmont Royal York; Connie McDonald – Royal Ontario Museum; Chef David Chrystian – Hotel Le Germain; Jill McCoey – Langdon Hall Country House Hotel & Spa;

Afrim Pristine – Cheese Boutique; Lori Stahlbrand – Local Food Plus; Peter Bodnar Rod – 13 Street Winery; Gary Hallam M.Sc. – Conestoga College.

Congratulations to all. The gala dinner will be held on March 22 this year (please see below). It’s going to be a smashing beano with Anne Yarymowich, executive chef of Frank, and Michael Bonacini, executive chef of Oliver Bonacini, serving as the Honorary Dinner Chairs.

 

 

Massey College Wine Grazing Italy

22 Jan

 

To Massey College for the annual Wine Grazing, where 100 junior and senior fellows of the graduate college get together to roam between the library and the Junior Common Room, tasting lovely wines and the delectable dishes matched to them. I’m honoured to be a part of the event, helping to choose and introduce the wines and figure out the food.

This year our theme was Italy, dalle Alpi in Africa – “from the Alps to Africa.” When Sabrina Bandali, head of the Massey College Wine Committee, and I started planning the evening, almost a year ago, we envisaged a neat and tidy, scientific comparison between the wines of northern Italy and of southern Italy. To put it into zoological terms, we would find the wine that filled the same gastronomic niche in either region and taste them side by side. But Italy has a way of interposing itself, muddling our precise northern intentions. Last summer, we came across a white wine from Tuscany – in the middle of the country – just where we had intended to fold our map – that would not be denied. Like an actress auditioning far too hard for a part, this bianco threw herself onto the table and began to emote until we had to include her. It was the same story for our dessert wine. I had cherished plans to pitch a northern recioto di Soave against a southern Zibibbo – but the same thing happened. Another ravishing Tuscan – more mature, undeniably eccentric, but no less mesmerising – bewitched us again. And then Sardinia shot up its hand, reminding us that Italy has islands too. So our tidy north-south plan turned into a fairly chaotic race around the country. In other words, much more Italian in mood as well as matter. And how could it be otherwise? There are more than 2,500 different grape varieties in Italy, with as many as 600 of them used in a serious, commercial way. I think we work with around 20 varieties in Canada. Choosing 10 Italian wines to represent the country was always going to be a challenge.

We started with a sparkling wine from the north – from Franciacorta in Lombardy, to be precise – a charming, ephemeral bubbly, Ca’ del Bosco’s NV Cuvée Prestige (agent: Lifford Wine Agency). There have been vineyards in Franciacorta, where the Padana plain suddenly bumps into the foothills of the Alps, since Roman times but the idea of using them for sparkling wine is only about 35 years old. Ca’ del Bosco was one of the pioneers, the creation of a teenager fresh out of oenology school, a young man called Maurizio Zanella. He had fallen in love with Champagne and didn’t see why it couldn’t be grown in Lombardy. Fortunately, his family was immensely wealthy – his dad one of Italy’s largest auto parts manufacturers – so the project came to pass, with Chardonnay, Pinot Nero and Pinot Bianco planted in tight rows in the French way and a cellar built where Zanella could mimic the méthode Champenoise. That’s what we drank last night – classic, fresh, crisp Franciacorta bubbly with a nose of green apple and melon, a soft supple mousse that doesn’t last long and a streak of minerality in the finish. It’s still a rarity in Canada, something the millionaires who own the country clubs in that part of Italy like to keep to themselves. We matched it with a parmesan crisp to catch the wine’s buttery, yeasty nuances, and a slice of fresh apple to mirror the fruit.

After that we divided the crowd into two groups of 50 and sent the first cohort up to the library to begin the Grazing proper. We started with Tiefenbrunner’s 2010 Pinot Grigio (agent: Rogers & Company), a stunner from the Alto Aldige, that amazingly beautiful area that used to be part of Austria until 1919. The Adige river has carved a profound valley through the Alps and temperatures get as hot as Sicily there during the summer but when you look up –up –up you can still see snow on the tops of the mountains thousands of feet closer to heaven. There are Gothic schlosses, and little alpine stuben where you can get lunch, and some terrific white wines. Vineyards have been planted there since pre-Roman times. Hilde and Herbert Tiefenbrunner started making wines at Schloss Turmhof in 1968 and today they are one of the great bastions of quality in the Alto Adige. This Pinot Grigio had a fairly subtle nose, like yellow plums, but there was so much more texture to it than one might expect – a creaminess balanced by tangy acidity. Those yellow plums are there on the palate too but then it suddenly finishes with an unexpected flourish of peppery spice.

            Alongside the Pinot we poured Silvio Carta’s Badde Alva 2009 Vermentino from Sardinia (find it at Vintages). Vermentino is a lovely, lively, aromatic white grape that loves the climate around Corsica, Sardinia and the Ligurian coast, an enthusiasm it is easy to share when one recalls the sparkling Mediterranean, the cloudless skies and the landscape of yellow hills covered with a herb-scented macchia that gioves way here and there to olive groves and vineyards. Silvio Carta is a family firm based in the Orestano region on the western coast of Sardinia, a relaxed and easygoing place after the bustle of the Alto Adige.

            For these two wines, the brilliant Darlene Naranjo, who is in charge of Massey’s talented kitchen, created something consciously simple, a jumble of boiled potatoes and fresh arugula stirred with grated Piave cheese and plenty of Olio Carli’s super olive oil. The peppery arugula and the oil picked out the citrus element in the Pinot Grigio beautifully while the less acidic Vermentino provided a richer liaison with the food. The crowd appeared to be delighted with the match.

            Our second station also featured two whites, starting with Donna Chiara’s 2010 Greco di Tufo from Campania (agent: The Case for Wine). I love Greco di Tufo. It’s a deceptive wine, appearing rather shy on its own but proving surprisingly self-possessed when you pour it alongside food. We provided a salad of shaved squid and pine nuts liberally dressed with parsley, lemon and olive oil, and the wine rose to meet it. Donna Chiara does something unusual with its Greco, harvesting it late so there’s more flavour and body than usual – a tad less crisp acidity. It was a dazzlingly good marriage.

            The other white at the table was Frescobaldi’s Castello di Pomino 2010 Bianco, a blend of Chardonnay and Pinot Blanc from Tuscany (agent: Lifford Wine Agency). It’s fascinating to see how Chardonnay changes when it gets to central Italy. That uptight, chic, blonde Burgundian ice-queen in the Hermes scarf lets her hair down. It’s still a tightly woven wine but fragrant with peach and a good splash of oaky spice from Frescobaldi’s barrel program. We decided it deserved a salad of its own – grilled asparagus (that picked out the oakiness in the wine) tossed with mushrooms and fennel that isolated some unexpected herbal notes behind the fruit.

            Many of our guests were waiting for the big reds and we plunged deeply in for our next station, whizzing back northwards along the autostrada to Piemonte and Barolo country – steep, up-and-down hills smothered in tightly planted vineyards that look like green corduroy from a distance, the deep valleys filled with white fog on autumn mornings. This is the land of white truffles and of many fabulous red wines, the king of them all being Barolo made from late-ripening, tannic, perfumed – amazingly complex Nebbiolo grapes. In very old age, Barolos are spectacularly beautiful – the colour of orange Victorian brickwork, fragile and heady with the scent of old-fashioned roses. Our Barolo, however, was revelling in the vigour of youth, Fontanafredda’s 2005 Serralunga d’Alba (agent: Noble estates Wines & Spirits). It had a robust acidity with lots of spicy tannins coming in at the end of the palate, but there was so much going on in terms of aroma and flavour – ripe cherries and old oak furniture, the smell of walking through oak woods on a warm afternoon. We served a rich dish of fresh pasta with dried porcini mushrooms and a cream reduction, topped with shredded prosciutto. The richness of the food and the austere structure of the wine cancelled each other out letting the mushrooms find their proper place among the woodsy aromas of the Barolo. A smashing fit.

            Our second red wasn’t quite so well-balanced with the dish but it stood out magnificently on its own, Planeta’s Santa Cecilia 2007 Nero d’Avola from Sicily (agent: Halpern Enterprises). The ancient Greeks brought this grape to Sicily and it settled right in like a native, quite at home in the parched landscape, though it ripens very late, sometimes not until November. Back in the 1990s, when Diego Planeta and a group of other talented pioneers set out to revitalize the island’s wine industry, Nero d’Avola was a natural, native star for them to work with. Planeta bought land in the south-east, far from his own western estates, simply to flatter the grape and it responded beautifully. The wine is profound and opaque, almost black, full of the scent of black and red currants, oak and spice and shoe leather (though it’s Ferragamo shoe leather of the very finest quality), and underneath darker forces are at play – espresso and dark chocolate and a hint of burnt caramel.

            Our next station presented two more red masterpieces, starting with Tenute Girolamo’s 2008 Aglianico (agent: Liberty Wines). Some say Aglianico is another ancient Greek grape; others that it was already here in southern Italy when the Greeks arrived. Either way it is the great red of the south – making Taurasi wines around Avellino and Aglianico del Vulture in Basilicata where it grows on the slopes of the volcano Monte Vulture. Tenute Girolamo brought it over the regional norder into north-western Puglia into a green valley deep in the mountains. In its youth, this wine has been described as dark and feral like the howling of the wolves that still roam these central mountains. This one had mellowed a little but it still spoke of wild places – forests of juniper and smoky evergreens, bramble thickets and dried black fruits, pepper and spice, liquorice and dark chocolate. It has become one of my current favourite reds and I’m delighted it will be appearing at the LCBO any day now.

            Up against it was a super Amarone Riserva, the 2005 vintage from Zenato (agent: J. Cipelli Wines & Spirits). I’m sure I don’t have to tell you about Amarone, how it’s pressed from grapes that have spent the winter drying out on trays, how the sweet, sticky juice slowly ferments itself dry without losing those ripe, raisiny flavours. The 2005 Zenato is a beauty, though it required a little palate-reconfiguration after those three dark, well-structured powerhouses – as if you had spent the evening listening to three very tall, stern and humourless maths teachers in their academic gowns, one after the other, and then suddenly came upon the English professor, sitting by the fire in an old tweed suit, smiling serenely… Do not be fooled! There is an intellect behind that warm and fuzzy manner. And the amarone provided the defining match of the evening, brilliant with our dish of juniper-spiked venison stew served with soft polenta and side orders of hot roasted chestnuts and peperonata.

And so to our finale, Badia a Coltibuono’s 2004 Vin Santo from Tuscany. Vin Santo is made in lots of places in Italy – I’ve had some brilliant ones in Udine, up by the Slovenian border, and some very strange specimens farther south – but Tuscany is surely its homeland. Like an amarone, it is made from dried grapes – but white grapes, usually trebbiano, malvasia and occasionally grechetto. The grapes are hung up in bunches for the winter rather than spread on trays, then they’re pressed and the syrupy juice goes into small barrels made of chestnut or oak where they are left to ferment very slowly, for years. Never topped up, there is loss to evaporation – the angels taking their share. It’s not unlike what happens to whisky. Yeasts die at 18 percent alcohol so that’s the strength these wines reach, usually, though not always, leaving plenty of sugar behind. Our version was simply magical, its nose suggesting everything from dried apricots and raisins to Scotch whisky, instant coffee powder and toffee. Darlene baked some almond-apricot biscotti to go with the Vin Santo and I urged our civil gathering to dunk them into the wine. I suppose it is indecorous to then try to suck the Vin Santo out of the sodden biscuit but it’s hard to resist doing so; better to just bite off the wet bit and enjoy it. I don’t really know why but it’s something that always gives me an enormous, almost visceral pleasure.

            So the gathering ended but no one really wanted to go home. Roberto Martella, co-owner of Grano and Italy’s unofficial cultural ambassador, was there. He had been a huge help all year, suggesting wines and making key introductions to agents on behalf of the Committee – such a generous soul. Brunello Imports provided a loot bag of Rustichella d’Abruzzo pasta for everyone to take home. Any day now, we’ll start thinking about a theme for next year’s gathering.

 

Anita Stewart OC

09 Jan

Our Anita

I am delighted to report that my friend Anita Stewart was awarded the Order of Canada on New Year’s Day, honoured “for her contributions as a journalist, author and culinary activist and for her promotion of the food industry in Canada.” Anita is an inspiration to our broad industry, one of very few people who understands the big picture of Canadian food and also its smallest local nuances. She is the founder of Food Day (http://foodday.ca), broadcasts regularly on CBC Radio (cbc.ca/freshair) and for nearly three decades has chronicled the food life of Canada. As an author she has published 14 books, including Anita Stewart’s CANADA: The Food, The Recipes, The Stories, that recently hit the Globe and Mail’s Bestseller list. She is on the Advisory Council for the Governor General’s Award in Celebration of the Nation’s Table and is an honourary lifetime member of the Canadian Culinary Federation of Chefs and Cooks (CCFCC). I’m also very happy that she is one of the Toronto panel of judges for Gold Medal Plates.

Once upon a time she and Jamie Kennedy (also an OC) and I planned to create a tv show. We wanted to call it Free Radicals and proposed that the three of us should criss-cross Canada with Anita leading us to fabulous indigenous foods, Jamie cooking them and me commenting about the process. I thought it was a great idea but the networks found the whole thing too cerebral. No competitive back-biting or kitchen shenanigans, no manufactured melodrama or gratuitous cussing… Plus, it must be said, our travel budget would have been astronomical. Still, I think the show would have worked. Maybe next time.

The Order of Canada has a motto that suits Anita rather well: DESIDERANTES MELIOREM PATRIAM… “They desire a better country.” It is our good fortune as Canadians and food lovers that Anita has always been prepared to act on that desire, fearlessly in person and so elegantly in prose.

 

Christmas in London

27 Dec

Lodovico - bravissimo

This is Lodovico, a most self-possessed and well-behaved infant. He and I sat across from each other for Christmas lunch at the Savoy and I can only say that in terms of la gourmandise, he left me in the dust. The empty dish before him was his second bowl of polenta. Before that he had enjoyed some of Gordon Ramsay’s “pumpkin soup” (spread across a side-plate to cool by his father, who is a chef and owns a super restaurant in the Abruzzo). Lodovico and I were both guests at a wonderful party for 27 hosted by very dear friends of my mother in a private salon called the D’Oyly Carte room, just on the left of the American Bar. It is an annex of the Savoy Grill downstairs, a restaurant now in G Ramsay’s portfolio, and was the perfect location for the festive gathering. Somehow the kitch art-deco horror vacui of the newly redecorated Savoy has not reached this charming chamber, which was once a most discreet little bar where the theatre producer Michael Codron used to host famous lunches when I was a nipper. I was never privy to those glamorous occasions but my mother remembers them well.

I had been looking forward to the Ramsay version of the Christmas feast and much of it was lovely – the turkey itself, to be sure, and the awesome roast potatoes and Brussels sprouts with bacon – and the pigs in blankets (chipolatas wrapped in bacon and roasted) once they had been sent back to the oven to achieve a crisping and a tan. But the great man nodded where the Christmas pudding was concerned – pale, bland mounds, gummy with flour, that tasted as though they had been rustled up that morning, not last year, and came with a sort of brandy butter aïoli that was a very far cry from the echt hard sauce which was always my brother’s speciality. We began with a studied collation of smoked fish – salmon, mackerel and sturgeon with a horseradish mousse, buckwheat blinis and devilled quail’s eggs. My mother can’t eat oysters so she asked the waiter to make sure there were none on the plate. Alas, he misunderstood and set down six perfect Colchester beauties before her instead of the fish. As soon as he was gone we swapped our plates so everyone ended up happy. Very happy, to be sure, for the company and the conversation was stellar and the wines magnificent – Domaine Didier Morion Vent d’Anges 2008 Condrieu with the fish and Hudelot Noellat Chambolle Musigny 2004 with the bird.

For me, it was a flying visit to Lunnun Tarn but there were other culinary highlights. The city looked pristine, though it seemed oddly quiet on my late-night perambulations, walking through the echoing labyrinth of Chelsea streets I grew up in, now empty and guarded and somewhat foreign, though marinated in my own nostalgia. England’s economic austerity can be felt. I hope it will prove to be the carfeully controlled deep breath before the glorious plunge into the Olympics this coming summer.

Meanwhile my mother roasted pheasants for our first supper (living in Canada, I crave game that has been properly hung in the feather) and then we turned the carcases into a spectacular soup. I found some dressed Essex crabs no bigger than the saucer of an espresso cup and ate far too many of them. There was a very memorable Vacherin at its unctuous Yuletide best – and my mum taught me her recipe for Welsh cakes. Dear friends of my youth, neglected this time around, I shall have you all over for tea when I come back in the spring and we shall see how well I have learned the technique.

And then it was Victoria Station at six o’clock in the morning, the hell of Gatwick and Easyjet to Athens and Olympic to Kerkyra… And here I am tonight in room 52 of the Cavalieri hotel in Corfu Town, the esplanade warm and dry under a new moon, the streets bright with Christmas lights and thronged with merry-makers – but more of that anon.

 

 

 

Four pre-Christmas treats and one post-

19 Dec

Liquored salmon belly at Starfish Oyster Bed: is Patrick McMurray a genius or what?

STARFISH liquored salmon belly. My wife chose Starfish for her birthday dinner over the weekend and the ever-hospitable owner and oyster-genius Patrick McMurray surprised us with his latest invention – liquored salmon belly. He was thinking about the salmon he gets – organic Irish salmon of the highest calibre – and what to do with it… Cure it? But how? With some kind of brine… And what is the purest brine – and always available at Starfish? The ocean water trapped inside the shell of each living oyster. He had some gorgeous Welsh oysters from Anglesey to hand – grown in almost the same water in which that Irish salmon swam when it was pink and carefree in the glory of its youth. Salmo salar! The leaper! The selfsame fish whose avatar once dwelt in a secluded pool on Ireland’s River Boyne, nourished by the hazelnuts of knowledge as they plopped into the water from the tree of wisdom until that salmon was the wisest of all creatures. Alas, not smart enough to elude Patrick McMurray. He opens the deep shell of a Welsh Menai Straits oyster, removes the oyster without losing the brine and lies two slices of the fish’s fatty belly into the viscous, salt-thickened water caught in the empty shell. He poses it on a coupe of crushed ice and sets the oyster itself beside it, still alive but beached on the other flatter half of its shell. The brine starts to cure the salmon – even a moment or two is enough to begin to turn that coral-coloured flesh pale and opaque. It tastes amazing! The soft, buttery salmon belly with that hit of ocean salt… The oyster fat and creamy with a cucumber, minerally finish… A very good reason to go to Starfish asap.

Interesting trivia fact: almost all British oystermen now have a bed or two dedicated to Pacific species! Why? Because their season lasts all year long. Indigenous British flats have distinct seasons and are periodically unavailable.

 

SOMA chocolatemaker Green Tangerine 66%. Proprietor-chocolatier David Castelan has an unerring sense of what constitutes the most delectable chocolate in the world. With this slender bar he blends sharp, fruity Madagascar Trinitario and Criollo beans, rendering a chocolate of 66% cacao content and flavouring it with essence of green tangerine. The chocolate is intense and fruitily acidic to begin with – but not as bitter as it would have been at, say, 70%. The green tangerine aroma/flavour is perfectly pitched – a citrus fruit that is more interesting than lemon or orange or grapefruit but less floral than yuzu or kumquat – the ideal chocolate corollary. I tried to make my dainty little 80-gram slab last until nightfall. Yeah right…

 

ALIMENTO is the new Italian gourmet emporium at 522 King Street West that took forever to open but is now up and running. Judging by the empty aisles and the empty chairs in the attractive mozzarella bar, it is still a well-kept secret but we went down and checked it out last weekend. There’s a charming décor of old wooden floors and extravagant displays of imported (and a few local) Italian treats. Great strengths: the salumi bar featuring dozens of fab Italian and Canadian meats, plus real Spanish Iberico ham at a very reasonable price. An impressive cheese selection. A predictably strong wall of Italian olive oils. Decent canned items, antipasti and pastries. Lots more… We ended up going home and cooking up a lunch from what we bought, built around a spectacularly good dried angel-hair egg noodle, Spinosini 2000. It cooks in two minutes and has a gorgeous grainy flavour. Our sauce was simplicity itself – sliced cremini mushrooms sautéed with finely chopped shallot, dried porcini reconstituted in chicken stock, pepper, plenty of cream and a tablespoonful of President’s Choice black truffle aioli. This last is a product that had been sitting in my fridge for a while, waiting to learn what its fate might be. I wasn’t sure whether it would have that rank, locker-room aroma that some truffle-flavoured products lend to a dish so I had hesitated to use it. As things turned out, it was surprisingly subtle, pleasing and just the ticket for our mushroom sauce – the sort of thing that disappears texturally in a sauce or dressing but leaves a ripe and poignant memory of truffle in the air.

 

ACE Christmas berry jam and fig bread. ACE bakery always does something special for the holidays. The berry jam is divine – like a rumtopf turned into jam with whole cranberries popping in a runny, spiced-up red-berry matrix. The fig bread is a tasty brown loaf with a good crunchy crust and great big dried figs in it. Slice it and toast it and your kitchen will smell like Christmas. The jam is great on the toasted bread – but so is a creamy blue cheese like Cambazola, spread quickly while the toast is still hot so that the cheese starts to soften and think about melting. Be merciful – scrunch – and put it out of its misery.

 

TOMMASI makes a single-vineyard Amarone Classico called Il Sestante (“The Sextant”) and it’s coming to Ontario in January, on the General List at around $39.95. It’s a beauty – old style amarone, which Tommasi does so well – complex and intense that will be perfectly delicious with a knob of parmiggiano reggiano or a well-hung grouse roasted and served with its own juices on toast or a firm slab of polenta. I was lucky enough to taste a preview bottle and I’m still smiling. It’s full of the sense of cold autumnal larch forests in the Italian pre-Alps, of liquorice and dark spicy honey, smoky firesides and cherries that have been spiced and preserved for months. The finish is all about dried figs and raisined grapes – sweet but dry, if you know what I mean – like a great amarone can be. Worth waiting for.

 

The uses of icewine

17 Dec

Sue-Ann Staff unexpectedly attacked by a wine barrel

To Sopra for a lunchtime tasting of 18 icewines and a sort of live seminar of food-and-icewine matching organized by the Wine Council of Ontario for “Wine Country Ontario.” It turned out to be a fascinating few hours for the food-writing brigade and for the wine-writing fleet, who rarely get invited to the same event. Being neither fish nor fowl myself (I’ve always preferred to forage in the tidal areas where food and drink overlap) I know both groups. It was heartening to see how well they all got along, thanks, perhaps, to the charm and engagingly easy manner of our two hosts, Sue-Ann Staff, winemaker and proprietor of Sue-Ann Staff Estate Winery, who introduced the wines, and Jason Parsons, chef of Peller Estates. It was Parsons who determined the format of the tasting – taste nine icewines to demonstrate the range of the style, then nine more with accompanying food – some savoury dishes, some spicy, some sweet. The intention, of course, was to demonstrate that icewine had more versatility as a food wine than is generally thought to be the case. The experiment was a success.

            As chef of a winery, Parsons gets to play with icewine in the kitchen to his heart’s content. For January’s Icewine Festival, for example, he will marinate a whole sucking pig in icewine for two days before roasting it off. He also, famously and delectably, poaches lobster in icewine. Despite the fact that icewine is so very sweet (at least 35 brix – in other words, more than one third of the liquid is pure sugar (imagine that ratio in your cup of coffee)), this leaves neither meat inordinately sweet. Rather it brings out the natural sweetness of the pork or lobster. The very high acidity in icewine that balances all that concentrated sugar  has much more of an effect in the kitchen. Parsons even uses it to cure ceviche.

            It’s also the key in the dining room – as was demonstrated by the first confrontation. Sopra’s chef Massimo Capra had devised the menu but it was executed brilliantly for us by chef de cuisine Derek Von Raesfeld. Not every wine and food pairing was spectacular but there were more than enough bullseyes to allow the project to make its point. Here are the matches that impressed me most.

            A rich, smooth chicken liver paté coated in butter and strewn with grains of salt, served with a clove-scented, very sweet onion marmalade, was overpowered by two Riesling icewines (made me long for a Select Late Harvest) but was great with 2008 Harbor Estates Cabernet Franc Icewine. Why? The red icewine lacked the intensely tangy citrus kick of the Rieslings, offering red berry aromas instead and an illusion of lower acidity.

            Those two Riesling icewines worked much better with crumbled Bleu Elizabeth blue cheese served in a bitter endive leaf with dried cranberries. The sweetness of the wine and the intense saltiness of the cheese mute each other slightly, letting the wine’s fruit and the cheese’s more subtle flavours stand out. Like port and Stilton.

The spicy trio: (from left) duck confit with curried squash puree; seared scallop with chili butter honey glaze, chestnuts and carrot puree; slow-cooked Iberico pork cheek

            Icewine has a lovely ability to counterbalance intense spicing. Chef Parsons found this out by accident once when his kitchen accidentally over-spiced a piece of venison then sent it out into the dining room where he was introducing the match. The meat was too spicy to enjoy on its own, but paired with icewine, it worked beautifully.

So our next flight was of three spicy dishes with three different icewines. The epiphany was a duck confit with mostarda, curried squash purée, baby green cabbage leaves and caramelized roasted onions. All three icewines were delicious with it, each one muting what would otherwise have been an over-seasoned dish, but angels sang when I tasted the duck alongside Reif Estates Winery 2005 Vidal icewine. It reached right into my palate and dismantled the spicing in an extraordinary way, as if it were shining a bright yellow light on the recipe putting each flavour into sharp relief. But the same wine was too sweet and thick for another of the three savoury treats – a slow-braised Iberico pork cheek with chili-apple braised radish and spiced apple-celery salad. This time it was another red icewine, Hillebrand Showcase 2008 Cabernet Franc icewine, that lifted the spices away from the rich sweetness of the meat and spread them like a hand of cards.

The trio of desserts

            Throughout these experiments, the sweetness of the icewines was not an issue at all. The spicy seasoning or the saltiness of the food balanced the sugar out of the equation leaving the field to the acidity and the array of fresh fruit flavours that an icewine wears so beautifully.

            Three desserts had their own tales to tell. German apple cake with salted icewine caramel was overwhelmed by a young Riesling icewine, okay with a simpler Vidal icewine but absolutely lovely with an old icewine that had lost some of its sweetness and mellowed with age, the 1999 Mountain Road Company Vidal Icewine.

            Best match of this end of the meal was a pear poached in icewine and served with lots of dulce de leche and whipped vanilla mascarpone. This time the balance was absolutely perfect with the Peller Estates 2010 Vidal Icewine. I suspect that was the very wine in which the pear had been poached.

            In sum, everyone around the table agreed that our eyes had been opened to new uses for icewine beyond dessert. With blue cheese, certainly; with spicy duck; with richly braised and glazed meats. I’m tempted to open an icewine and try it with barbecued ribs or very hot buffalo wings. Could be interesting.

            Thanks to the Wine Council of Ontario for organizing the event and for the lovely parting gift – a white icewine aroma kit made by Wine Awakenings that contains samples of the 12 aromas most commonly found in white icewine, from passion fruit to raisins and caramel to kerosene. So interesting – and a good way to sharpen olfactory acuity. They will be on sale at Niagara wineries during the January Icewine Festival.